2012年3月11日星期日

Designers pump up the volume in Paris

Not in the sense, necessarily, of big news or even making a big noise but literally. Leave it to Rei Kawakubo of Comme des Garcons to show every other designer how this might best be done. Her collection of "two dimensional" (flattened) and enormous clothes in uncompromising colours – blithe blues, pinks, reds,The reliable Aquatimer christiandiorreplicahandbags. yellows and with Legoland bobbed hair to match – and printed with everything from leopard spots and faded cabbage roses set the tone for the season. The effect was brilliant. And gentle in intention too. In a world where over-exposure – and the over-exposure of women in particular and in predictably uncharitable a manner – is the story, anyone, big, small,Our Gucci online store monclerjacketswomens. short or tall could wear these clothes. The designer stated that it was their individual shape that would give body to the clothes. It's beautiful to be bold.
Hussein Chalayan is a designer who has long demonstrated a profound respect for the woman who wears his clothes.Jewellery and 1northfacejackets stolen in Framlingham. For him too, enveloping the body as opposed to parading it, thus creating a private dialogue between wearer and clothes, is important.Best bestvalentinohandbags Have you spent a lot of time looking for the best replica watch for you? Roomy grey flannel coats were fused with neon techno-foam and loose-fitting column dresses made for the most modern statement in eveningwear that has been seen for some time.
Mushrooms inspired Alexander McQueen's Sarah Burton, she said. And they too were big.In our parmigiani miumiuhandbags you can easily find a fake parmigiani replica uhren watch to wear it. They were very big. Moving away from a signature, pencil-thin silhouette, clothing appeared to sprout from and grow on the body. Add to extreme volume fluttering feathers, dandelion and cherry blossom embroideries and enamel flowers, uncompromising platinum hair, mirrored visors and heel-less "horse shoe" boots and the effect was extraordinary.
Is the era of the superstar designer coming to an end? Certainly, it appears that those who remain behind the scenes are garnering the most critical acclaim. Burton cut her teeth in this way; Chalayan's is a quietly contemplative aesthetic as opposed to an amplified one; Philo has always preferred to express herself through her work and Kawakubo – of course – is famously averse to personal attention.

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